Music journalists

Scope and Contents From the Collection: Archival material pertaining to the life and career of writier and rock historian, Ed Ward (1948-2021). Materials dating 1962-2019 include interview transcripts (musicians, bands, music industry icons), memorabilia and ephemera pertaining to Ward’s staff positions with Rolling Stone and the Austin American-Statesman, early writings, copies of the Antioch College McDowell Weakly, research materials (including reporter’s notebooks, notepads and index cards) pertaining to music, art, food and...

Series Description From the Series: This series is arranged alphabetically by author and includes mostly photocopied short stories and screenplays. Two notable items relating to Lewis are a forty-six page biography, Grover Lewis: The Uncommon Insight and Grace of an Ordinary Man, written by longtime friend and poet R.K. Scott; and the screenplay Deep Ellum, by Stan Vosper, Jr., based on Lewis’s adolescent days with Larry McMurtry and other North Texas friends. ...

Scope and Contents From the Series:

Archival materials following music critic Brian Atkinson’s career from 1981 to 2015. Included are song lyrics, interview cassette tapes (Kent and Jenni Finlay, Terri Hendrix, James McMurtry, and Harold Eggers, etc.), newspaper articles, manuscripts, and promotion materials for concerts. The folder titles reflect Atkinson’s original descriptions.

Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: The Audio and Video Material Series includes recordings of interviews conducted by the authors for the Stevie Ray Vaughan biography, as well as earlier recordings of published interviews with Stevie Ray Vaughan and Jimmie Vaughan. Bootleg recordings of various Stevie Ray Vaughan bands, such as the Cobras and Double Trouble, are included in this series, ranging in date from 1975 to 1990, including Stevie Ray Vaughan's last performance. Also included in this series is an audio recording of...

Scope and Contents From the Series:

This collection contains materials received from writer Brian Atkinson which includes handwritten lyrics from Townes Van Zandt and Eric Andersen; correspondence pertaining to Ted Hawkin’s tribute album; and a co-written Kent Finlay, Dreamer manuscript by Atkinson and Jenni Finlay with a foreward by George Strait. The folder titles preceding a semicolon reflect Atkinson’s original descriptions, 1957-2016.

Scope and Contents From the Series:

Archival materials following music critic Brian Atkinson’s career from 1981 to 2015. Included are song lyrics, interview cassette tapes (Kent and Jenni Finlay, Terri Hendrix, James McMurtry, and Harold Eggers, etc.), newspaper articles, manuscripts, and promotion materials for concerts. The folder titles reflect Atkinson’s original descriptions.

Scope and Contents From the Series:

This collection consists of material related to Texas music and other musicians. Included in this donation are various music magazines that contain articles written by Brian Atkinson, interviews Atkinson conducted with musicians recorded on to audiocassettes, and a collection of badges and ticket stubs collected from numerous concerts.

Scope and Contents From the Collection:

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

Scope and Contents From the Collection:

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Scope and Contents From the Series:

This collection consists of material related to Texas music and other musicians. Included in this donation are various music magazines that contain articles written by Brian Atkinson, interviews Atkinson conducted with musicians recorded on to audiocassettes, and a collection of badges and ticket stubs collected from numerous concerts.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.