Musicians -- Interviews

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series documents Saviano's extensive research for her biography of Guy Clark, Without Getting Killed or Caught. It contains five subseries: Interviews/Interview Questions, Research Files, Photographs, Magazines, and Correspondence

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

This collection contains materials received from writer Brian Atkinson which includes handwritten lyrics from Townes Van Zandt and Eric Andersen; correspondence pertaining to Ted Hawkin’s tribute album; and a co-written Kent Finlay, Dreamer manuscript by Atkinson and Jenni Finlay with a foreward by George Strait. The folder titles preceding a semicolon reflect Atkinson’s original descriptions, 1957-2016.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Archival materials following music critic Brian Atkinson’s career from 1981 to 2015. Included are song lyrics, interview cassette tapes (Kent and Jenni Finlay, Terri Hendrix, James McMurtry, and Harold Eggers, etc.), newspaper articles, manuscripts, and promotion materials for concerts. The folder titles reflect Atkinson’s original descriptions.

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Included within this series is various correspondence related to or peripheral to Patoski’s research. It is organized in alphabetical order by author. Of special note are correspondence from Little, Brown & Company to Patoski concerning legal issues related to the publication of the book. Also of special interest is the correspondence between Patoski and Selena’s father concerning Abraham’s wish for Patoski to ghost write a biography of Selena.

This collection contains materials received from writer Brian Atkinson which includes handwritten lyrics from Townes Van Zandt and Eric Andersen; correspondence pertaining to Ted Hawkin’s tribute album; and a co-written Kent Finlay, Dreamer manuscript by Atkinson and Jenni Finlay with a foreward by George Strait. The folder titles preceding a semicolon reflect Atkinson’s original descriptions, 1957-2016.

This series is composed of five subseries: Correspondence, Personal Materials, Photographs, Artwork, and Awards.

Archival materials following music critic Brian Atkinson’s career from 1981 to 2015. Included are song lyrics, interview cassette tapes (Kent and Jenni Finlay, Terri Hendrix, James McMurtry, and Harold Eggers, etc.), newspaper articles, manuscripts, and promotion materials for concerts. The folder titles reflect Atkinson’s original descriptions.