Authors, American -- Texas -- 20th century
Found in 4995 Collections and/or Records:
Copy negatives (30 strips), circa 1920-1999
Copy of Draft, undated
This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.
Copy of Draft , undated
This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.
Copy of play, correspondence relating to event, photo of Jones with Lady Bird
Copy prints (3), circa 1930-1939
Copy prints (5 b/w, 3 color), circa 1980-1989
Copy prints (9), circa 1940-1949
Copy prints (13 b/w, 13 color), circa 1990-1999
Copy prints (18), circa 1950-1959
Copy prints (19 b/w, 5 color), circa 1960-1969
Copy prints (27), circa 1920-1929
Copy prints (61 b/w, 1 color), circa 1970-1979
Corey Haim
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
Corrected sections
Corrected typescripts, correspondence, contract, royalty statements
Corrected typescripts, galley proof, marketing, copyright
Corrected version, May 20, 1976
Corrected version, March 11, 1979
"Corres. Re: Exxon Valdez"; Letters written to congressman Mel Levin, Senator Alan Cranston, L. G. Rawl and President Georg Bush pertaining to the Valdez oil spill. Replies from Levin, Cranston and Rawl, open letter to the public from L.G. Rawl, Exxon addressin oil spill, L.A. Times, 1989
Correspondence, 1968, 1987-1991
Correspondence includes one 1968 letter to McMurtry from Harper's magazine returning his manuscript, "Take My Saddle from the Wall: A Valediction,” a letter from McMurtry to Bill Wittliff, and two to former Wittliff Collection Curator, Dick Holland. These letters date from 1987-1991 and relate to the acquisition of this collection.
